Humankind won't find peace as long as we're treating feeling animals as if they were so many blocks of wood.
Weirdly, I'm not a horror fan.
That's the type of thing you need to keep in mind when drawing comics. The storytelling. Consider the action and the space available to you, that's what will make it a great comics page. Once you've figured that out, you can always findmake the reference to support your storytelling decisions. So by all means, study film, but as with any reference, the results are better when they inform the craft and not dictate it.
For me, I'm a fan of really dark, depressing stuff. Even something like The Wire, which can be hugely depressing and really serious, the bits I always remember are the jokes, you know?
Some guys can do digital things where they make some tricks work, but I work on paper and I work with washes. You can't just change things afterwards. You have to get it right on the page.
For me, I'm a fan of really dark, depressing stuff.
I personally got to draw a take on a character that I've had in my mind since I was a teenager. That was pretty sweet!
All poetry is an ordered voice, one which tries to tell you about a vision in the un-visionary language of farm, city, and love.
There is but one man who can believe himself free from envy; and it is he who has never examined his own heart.
Pity is one of the noblest emotions available to human beings; self-pity is possibly the most ignoble. . . . [It] is an incapacity, a crippling emotional disease that severely distorts our perception of reality. . . a narcotic that leaves its addicts wasted and derelict.
I wrote my first novel because I wanted to read it.