I suppose I walk that line between comedy and cruelty because I think one illuminates the other. We're all cruel, aren't we? We are all extreme in one way or another at times and that's what drama, since the Greeks, has dealt with. I hope the overall view isn't just that though, or I've failed in my writing. There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies.
The drama can only be brought to its climax in one of two ways -- through the selective brutality of terrorism or the impartial horrors of war.
Sleep and I do not have a good relationship. We have never been good friends. I am constantly chasing sleep and then pushing it away. A good night's sleep is my white whale. Like Ahab, I am also a total drama queen about it. I love to talk about how little sleep I get. I brag about it, as if it is a true indication of how hard I work.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
Drama is what I did before 'Blossom. '
When you make drama you are like Picasso. Drama is whatever you want it to be.
My real name is Madeleine Wickham, under which I write dramas with an edge of humour. As Sophie Kinsella its fast, all-out comedies, such as the Shopaholic series.
I think that bad drama in a relationship has nothing to do with the individuals, it just really has to do with the dynamic that those individuals create.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
The Prodigal Son story is, I think, the greatest short-story ever written. It has such drama in it, such great characters, it's so clear and concise, and it's entertaining in the sense that everyone can relate to it. But you have no doubt what our Lord was trying to communicate in the heart of that story. So the truth was not sacrificed on the altar of entertainment in that case. And it can be.
You're just playing a role, whether it's a drama or a comedy. I find it really fun to sort of play opposite Uma.
. . . when the nature of mind is introduced by a master, it is just too simple for us to believe. Our ordinary mind tells us this cannot be, there must be something more to it than this. It must surely be more "glorious", with light blazing in space around us, angels with flowing golden hair swooping down to meet us, and a deep Wizard of Oz voice announcing, "Now you have been introduced to the nature of your mind. " There is no such drama.
At drama school, I was always playing the 11-year-old boys.
Having inborn capabilities doesn't matter. Whether you can manage them or not, that's what determines the victory or defeat.
One of the things the BBC does better than anyone is period drama.
There is a streetlight in front of Soo Yeon's house. From there to home, it takes 280 steps. If we have been walking away from each other for 14 years, how many steps will it take to get back? If she doesn't come even if I wait, that doesn't mean that she abandoned me. . it means she is on her way.
I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.
You face challenges and you have to make choices. You're weighing the necessary responsibility toward reality and authenticity and of course the need to create a compressed drama over two hours.
If you want to know who God is, look at Jesus. If you want to know what it means to be human, look at Jesus. If you want to know what love is, look at Jesus. If you want to know what grief is, look at Jesus. And go on looking until you’re not just a spectator, but you’re actually part of the drama which has him as the central character.
In drama, the characters should determine the story. In melodrama, the story determines the characters.