Everybody around the world wants to send their kids to our universities. But nobody wants to send their kids here to public school.
I educated myself, and it made me feel good. I went to museums. I read books. I did all the things, pretty much, that you would do in school. I would never want my kids to leave school, though, I'm really for education.
(Talking about his first computer) Like all kids we not only fooled around with our toys, we changed them. If you've ever watched a child with a cardboard carton and a box of crayons create a spaceship with cool control panels, or listened to their improvised rules, such as "Red cars can jump all others," then you know that this impulse to make a toy do more is at the heart of innovative childhood play. It is also the essence of creativity.
A good place to start is with the kids. . . One of the great founding principles of our country was that children would not be punished for the mistakes of their parents. It is time to provide an opportunity for legal residence and citizenship for those who were brought to this country as children and who know no other home.
Allow the world to live as it chooses, and allow yourself to live as you choose.
Something got screwed up in terms of your priorities if you think it's more important to get rid of the dividend tax than it is to take care of 11 million kids.
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination. . . I think we're going to have a real good record.
Kids, if anything, are harder to write for because they are a more discerning audience. They will not stay with you if you go off on a tangent or if you give them extraneous information that doesn't serve the story. You really have to tell a tight story. You have to give them humor and suspense and believable characters. All those things that adults want too, but you have to be really on your game when you're writing for kids.
Since we were renamed, and now it feels like 80 percent of the African-American population has the name Washington or Jefferson or some president or slave owner's name. And, I almost wonder is this, like, is this part of a way of taking back the principle of naming your - I might be going too far into this - but naming your kids something of your choice?
My kids are the future of the Mayweather family and of the Mayweather brand. I feel our family is stronger if we stay together.
I've had a lot of people who've said they can relate to the show and it's helped them through a lot of difficult times, especially the kids in high school now. Everyone kind of feels like an outcast in high school. Even if you're super popular, you still have issues.
It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat.
If you take away money, if you take away the houses and things, who are we really? What is love really about? What is it to love each other? Why do we stay together, and why do all the kids split? All these questions I have really deep inside of me.
My father is the reason I am the way I am today. He's why I acted up and he's why I prayed to be the opposite of him. We made up before he died but I vowed to never raise my kids like how he raised me.
I look at the kids coming out of Yale. They are so intelligent with their careers. I wish I had that.
Some kids look at me strange in the hallways because I don't decorate my locker.
Mars ain't the kind of place to raise your kids, in fact it's cold as hell.
That is the greatest gift my books have given me; what it means and has done for the kids.
When I was a kid and a young man I read everything. When I was about 23, I was incredibly lucky in that I wound up with several book review columns, which meant that I had to read huge amounts of stuff that was outside my experience and outside my comfort zone. I think every young writer should be forced to read the kind of stuff they would not normally read for pleasure.