THE TRAIN came out of the long tunnel into the snow country.
I wanted to know what it was like to be a drug addict, and have an eating disorder, and have a loved one die, and fall in love. I saw my friends going through these things, I saw the world going through these things, and I needed to understand them. I needed to make sense of them. Books didn’t make me wallow in darkness, darkness made me wallow in books, and it was books that showed me there is light at the end of the tunnel.
The end of labor is to gain leisure.
My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act. "
As a matter of fact, there is still a lot of light at the end of the tunnel. We just have to find a way to get to it.
How like a railway tunnel is the poor man's life, with the light of childhood at one end, the intermediate gloom, and only the glimmer of a future life at the other extremity!
I was single-minded and I had tunnel vision. Now it's time for a change.
Maybe Gary (Neville) deserves to be chased up a tunnel every now and then - there would be a queue for him, probably. But you have to draw a line eventually.
I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided by interior voices and bringing us out of a long tunnel to new blueness.
For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
I just kind of do my thing with sort of tunnel vision for the story and my role and how it fits together.
At last there is light at the end of the tunnel.
Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.
The tunnels of our lives connect, coming to daylight at the oddest moments, and then plunge us into the dark again. We return to the lives of those who have gone before us, a perplexing möbius strip until we come home, eventually, to ourselves.
The pessimist sees only the tunnel; the optimist sees the light at the end of the tunnel; the realist sees the tunnel and the light - and the next tunnel.
Because I'm a Thunderclan cat like you," she replied, ad darker shadow in the darkness of the tunnel. "My name is Hollyleaf
We feel the machine slipping from our hands As if someone else were steering; If we see light at the end of the tunnel, It's the light of the oncoming train.
Remember, grab you're future with both hands and mold it into what you want it to be. It's the determined, who create the life they want, while the idle sit by and watch it fade away into nothingness. The future belongs to the exceptional individuals, who can see the light of the future, at the end of the tunnel.
To get back up to the shining world from there My guide and I went into that hidden tunnel, And Following its path, we took no care To rest, but climbed: he first, then I-so far, through a round aperture I saw appear Some of the beautiful things that Heaven bears, Where we came forth, and once more saw the stars.
Panic causes tunnel vision. Calm acceptance of danger allows us to more easily assess the situation and see the options.