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Luljeta Lleshanaku Biography

Luljeta Lleshanaku

Luljeta Lleshanaku (born 1968, in Elbasan, Albania) is an Albanian poet who is the recipient of the 2009 Crystal Vilenica award for European poets. She was educated in literature at the University of Tirana and was editor-in-chief of the weekly magazine Zëri i rinisë (The Voice of Youth). She then worked for the literary newspaper Drita (Light). In 1996, she received the best book of the year award from the Eurorilindja Publishing House. In 1999, she took part in the International Writers Program at the University of Iowa. She is the author of four poetry collections, one volume of which has been translated into English: Fresco, available from New Directions. The writer, critic and editor Peter Constantine, in his introduction to Fresco, sums up her style in this way:

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Luljeta Lleshanaku Quotes

I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?

Long, Expectations, Style, Story, Aesthetic, Curiosity

In my family there was no small talk, only talk about serious things like global politics - trying to interpret the distant political signs, looking desperately for some hope things would change. Religion was forbidden beginning in 1968, when I was born. So my communication with them was limited to issues of everyday life, which were issues of survival.

Communication, Everyday, Limited, Looking, Political, Religion

We usually understand freedom as meaning that there are many choices - but does having more choices, or believing we do, actually make us more free?

Believe, Choices, Freedom, Having, Meaning, Understand

Years ago, I thought that if a person had experienced injustice in her life, it meant she would be fair, because she would know what it meant to be a victim of injustice. But now I am not so sure. Experiencing injustice can also make a person dangerous. Carrying a sense of revenge and anger can make a person victimize their own self.

Dangerous, Injustice, Revenge, Sense, Thought, Victim

Childhood is usually identified with fantasy, adventure, and dreaming. But mine didn't offer a lot of hope. I could read my future in my palm. Everything foretold: "You have no future!" A person must be very strong to keep going without hope.

Adventure, Dream, Keep, Read, Strong, Usually

Albania was a very isolated country, politically, economically, and culturally. Our only connection to the world was through a radio program called Voice of America, and through the Italian television waves, which we caught illegally through primitive, improvised antennas. The only way to escape from reality was reading books.

Albania, Book, Country, Reading, Way

Totalitarian regimes produce a culture and a moral code that is totally different from what happens in a democracy. There are two moral categories in a communist society: honest men and bad men. The "honest" ones resist compromising or collaborating with the regime, while the "bad" are the persecutors and collaborators. You can choose to be on one side or the other, but there is nothing in between. In a normal society, other factors can define who you are. You can be a good worker, sociable, tough, generous, tolerant, collaborative, friendly.

Code, Define, Democracy, Friendly, Men, Moral

Very often I hear talk about female literature, or femininity in literature. It's a categorization I am not sure about. Maybe there are a few elements that distinguish women's observations from men's, like the ability to notice some fine details.

Female, Femininity, Like, Literature

To me, poetry is a rational act. I never write a poem if I'm not sure what I am going to say or what I want to communicate.

Act, Communicate, Not Sure, Poem, Poetry, Writing

Jean-Paul Sartre said that France was freer than ever during the German occupation, when people had no choices but one: to collaborate or to resist. I'm not saying there was something good about that system. But the freest people I've ever met, or knew about, belonged to that period. For example, Musine Kokalari, an Albanian writer who dared to fight for political pluralism and free elections. She created the first social democratic party, despite knowing the high price she would have to pay.

Fighting, Good, Party, People, Price, Writer

Each language has its own temperament; some languages make a poem more dramatic or sad, and others make it more playful.

Dramatic, Language, Make, Playful, Poem, Temperament

Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.

Appropriately, Attention, Like, Mean, Reality, Reject