Giles Lytton Strachey (/ˈdʒaɪlz ˈlɪtən ˈstreɪtʃi/; 1 March 1880 – 21 January 1932) was a British writer and critic.
When Louis XIV assumed the reins of government France suddenly and wonderfully came to her maturity; it was as if the whole nation had burst into splendid flower.
But Racine's extraordinary powers as a writer become still more obvious when we consider that besides being a great poet he is also a great psychologist.
Discretion is not the better part of biography.
Perhaps of all the creations of man language is the most astonishing.
In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought.
During this earlier period of his activity Voltaire seems to have been trying - half unconsciously, perhaps - to discover and to express the fundamental quality of his genius.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
It is probably always disastrous not to be a poet.
When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved.
Modern as the style of Pascal's writing is, his thought is deeply impregnated with the spirit of the Middle Ages. He belonged, almost equally, to the future and to the past.
The genius of the French language, descended from its single Latin stock, has triumphed most in the contrary direction - in simplicity, in unity, in clarity, and in restraint.
How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question.
With a very few exceptions, every word in the French vocabulary comes straight from the Latin.
Though, with the ascendancy of Louis, the political power of the nobles finally came to an end, France remained, in the whole complexion of her social life, completely aristocratic.
There is something dark and wintry about the atmosphere of the later Middle Ages.
It is perhaps as difficult to write a good life as to live one.
There are a great deal of a great many kinds of love.
Englishmen have always loved Moliere.
In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.