Robyn Rowan Hitchcock (born 3 March 1953) is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar.
After the Soft Boys I just didn't want to work with any more guitarists.
When you think about great teams, The Beatles and the Pythons immediately spring to mind. The Pythons were as much a part of their time as The Beatles.
I'm good at line-drawing, and some of my color stuff is okay. So I just do it for record covers.
Most comedians I know are quite serious, anxious people who find life rather difficult. As a consequence, they make people laugh.
Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.
I'm not really a good singer. But most people aren't, either.
Every so often you have to increase your profile so you can let it lower again, like a balloon.
When I first started listening to music intently as a teenager, I was always sitting there with a biro or a pencil, drawing. That's how I absorbed it all.
Generally, I have an instinct for the noncommercial. And the unpopular.
Playing acoustic and line drawings are the two things I'm most competent at.
After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
I would be quite happy never to play any of my better-known songs again. But unless you're Dylan, you can't afford to completely disregard what your audience wants.
In this world of doubt, one thing is certain for me; that I will go on writing songs up to and - I hope, through heavenly means or diabolical - beyond the day I die.
People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.
I've never been burdened with a hit record, so I don't have to play the same songs. I play songs people think they like.
Most songs are somewhere between love and death, and mine are no exception.
I can tell how I'm doing, and I can tell if the crowd is particularly dead.
I don't really have the gift of the sustained narrative that you need to write a book. I've tried a couple of times, and it just doesn't work. But I get some good passages, so what I'm going to do is just take sections out of them.
One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
Love is the distance between reality and pain.