I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.
I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.
I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.
My first cut that I showed the studio was probably 2hrs 20min.
I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.
I love the studio. It's my place to escape and to create and to try anything.
When studio art started being seen as important, I joined Colab, and then I became very involved.
The most positive step is to try to expand the employment base by making it, if not economically friendly, at least not economically disastrous, for studios to take on deficits.
Just going through a lot in my life, becoming more confident in myself, writing my own music and just really getting in the studio and just doing it.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
The daily act of writing remains as demanding and maddening as it was before, and the pleasure you get from writing - rare but profound - remains at the true heart of the enterprise. On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
[Maxine Waters] was kind enough to join us here at our studios in Washington, D. C. , in advance of women's march in Washington in which she will be participating.
Studios look backward. Filmmakers look forward.
I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.
I love awards, especially if I get them. It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
I want to make 20, 30, 50 studio records.
But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.
In L. A. , I live right across from Universal Studios.
I am always surprised at what movie studios think people will want to see. I'm even more surprised at how often they are correct.
I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.