Scott Cohen may refer to:
I want to be in a position where I feel comfortable selling an idea.
What really put me over the top was receiving a packet of hundreds of hand-written thank you notes, telling me how the kids were inspired and excited about the [Cube] project.
The most magical moments for me come from the little ones in elementary school. They ask adorable and meaningful questions.
A lot of people have already been impacted by the Life Cube Project and the principles behind it. They write to me and post on social media all the time, about their dreams coming true after writing them down, or how writing down their goals resonated with them.
If I really knew how to do good storytelling, I would be a writer. Mystery is not a huge part of it. . . . It's tension, it's relationships. I think it's a struggle.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
Facebook is one way to be able to communicate in a quick way. I never hired a firm to send out pictures and such so I am lame that way. All I can say is how grateful I am for the fans I have.
I emphasize the dual mission of the Life Cube Project: involving as many members of the community as possible; and encouraging people to write down their goals, ambitions and wishes. I hope that the concept has an impact on these students' lives - that would be my dream.
My feeling is that in the purest form, an actor is a service to the people. It's democratic in its purest form. That's what an actor is. If he or she isn't that, then there is no purpose in doing it. They're like priests.
There is nothing like understanding that your work has touched somebody. That is the sole purpose of acting. To be able to move and inspire. If I can do that for one person it is already changing the world and that makes me feel accomplished.
I have always wanted to do a book about actors because I think that the death of a character is a tremendously emotional experience.
I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.
To me good storytelling is about journeys. It's about people's journeys, people's discoveries and how they deal with those discoveries; circumstances that put people in different situations.
I've always been creative, with a huge amount of energy.
I have rock climbed but not in awhile. Love all sports, reading, cooking, some carpentry, gardening.
If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.