Sir Sidney Poitier, KBE (/ˈpwɑːtieɪ/; born February 20, 1927) is a Bahamian-American actor, film director, author, and diplomat.
If I'm remembered for having done a few good things and if my presence here has sparked some good energies, that's plenty.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
I'm going to quit writing.
There is not racial or ethnic domination of hopelessness. It's everywhere.
Okay listen, you think I'm so inconsequential? Then try this on for size. All those who see unworthiness when they look at me and are given thereby to denying me value - to you I say, I'm not talking about being AS GOOD as you. I hereby declare myself BETTER than you.
If the image one holds of one's self contains elements that don't square with reality, one is best advised to let go of them, however difficult that may be.
I think the way I want to think. I live the way I want to live.
If you apologize because you are afraid, then you are a child not a man.
I decided in my life that I would do nothing that did not reflect positively on my father's life.
I would like to grow less afraid of dying. I am infinitely less afraid today than I was 15 or 25 years ago. I was most afraid of dying when I was 33, because I come from a Catholic family.
We all suffer from the preoccupation that there exists. . . in the loved one, perfection.
Far as I can tell, I still have most of my hair, my gut is not hanging over my belt, and I still have all of my teeth.
The impact of the black audience is expressing itself. They look to films to be more expressive of their needs, their lives. Hollywood has gotten that message - finally.
I didn't run into racism until we moved to Nassau when I was ten and a half, but it was vastly different from the kind of horrendous oppression that black people in Miami were under when I moved there at 15. I found Florida an antihuman place.
My father was a poor man, very poor in a British colonial possession where class and race were very important.
I had chosen to use my work as a reflection of my values.
An appreciable number of directors have shifted to lower-cost films, allowing them to be satisfied with a more modest return.
I'd seen my father. He was a poor man, and I watched him do astonishing things.
I knew what it was to be uncomfortable in a movie theater watching unfolding on the screen images of myself - not me, but black people - that were uncomfortable.
My mother was the most amazing person. She taught me to be kind to other women. She believed in family. She was with my father from the first day they met. All that I am, she taught me.