Shakespeare was naturally learned; he needed not the spectacles of the books to read nature; he looked inward, and found her there.
Basically the French are all peasants.
You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only.
The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous. . . I am only a public entertainer who has understood his time.
Whatever is most abstract may perhaps be the summit of reality.
What I achieve the first day can be perfectly valid, but it is not satisfying. If I can go that far spontaneously, then I must shed that result as an old skin and inquire further into the unknown, or at least the not-yet-known-to-myself.
If I paint a hammer and sickle people may think it is a representation of Communism, but for me it is only a hammer and sickle. I just want to reproduce the objects for what they are, not for what they mean.
You should protest about the views of people you disagree with over major moral issues, and argue them down, but you should not try to silence them, however repugnant you find them. That is the bitter pill free speech requires us to swallow.
I resist change even as I call for it.
I think there's a big market in North America [with travelers] going to Lisbon and connecting over Lisbon.
They say that generally, rulers - dictators - tend to be short, like me. It gives them an inferiority complex; when they were kids, they wanted to be big and to crush the small, but they were small themselves. Lenin was short, Stalin was short, Putin. . .