How do we remember people when they don’t make reservations?
I believe in mythology. I guess I share Joseph Campbell's notion that a culture or society without mythology would die, and we're close to that.
San Franciscans are very proud of their city, and they should be. It’s the most beautiful place in the world.
You should prepare when you go to a public event to be public. That's when I will sign autographs. But not when you're going about your normal business.
I was producing things I was acting in, but I had never directed and I felt it was time. I was looking for a piece of material that was about behavior and feelings. When I read Judith Guest's book, I thought, This is it.
I would see my hometown, Los Angeles, change. Green space and orange groves gave way to cement, freeways flooded with traffic, and air pollution, all in the name of "progress. " I felt like I was losing my home. It had a profound effect on me, and I realized just how important nature was to my spirit, my soul, my point of view.
I was raised in California during the Second World War and into the '50s and everything was fine, everything was great. The sun always shone, everybody looked healthy and wore ties and smoked in restaurants, and there were cars for everybody - except us, because I came from a lower class neighbourhood. But [in France] I realised there was a different point of view, so when I came back to America a year and a half later I was much more focused on my own country culturally and politically.
The resurrection of Christ is therefore emphatically a test question upon which depends the truth or falsehood of the Christian religion. It is either the greatest miracle or the greatest delusion which history records.
The new environment dictates two rules: first, everything happens faster; second, anything that can be done will be done, if not by you, then by someone else, somewhere.
A man in the right, with God on his side, is in the majority, though he be alone, for God is multitudinous above all populations of the earth.
The field of action of a photograph should be that chessboard of the heart and mind upon which poetry and art have always operated