I think that if writers are tempted to do other things, they ought to go do other things. They should not write if they don't feel like it. I say this as a competitor. I am not interested in encouraging people who are in competition with me.
You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With. . . so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.