The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
I try to get control of the tempo, control of the flow, and get my teammates the ball in the best position to score.
Potential is the good of life -- action the secret key.
It seems like teams want a guy who can get 10, 11, 12 assists. That's the kind of player I want to be. Sometimes that is more important than scoring 30 points a night.
A lot of people have high expectations. I'm just going to do the best I can.
My responsibility is to get people into the offense.
A point guard is judged by wins and losses. I think I'm doing a good job.
Flying saucers are nothing more than miracles, and they occur essentially to bedevil science.
The right thoughts of the clever man are a ladder which takes you higher places. By climbing these ladders, one day you yourself become such a ladder itself!
The literary game is the abyss of human society itself: interactive, playful and tragic. We can't live alone. For me, Robinson [Crusoe] is either a false myth or else he represents the denial of human society. We can't play by ourselves. In literature, it's even more complicated, because one has to play with an indeterminate number of players simultaneously and every game is different. The other player can abandon your game at any time. . . to go play chess.
One hand has surely worked throughout the universe.