My favorite phrase, that a friend of mine who worked on the Potter films and was a lot older than me would use in front of me, and I picked up from him many great phrases - the English have a lot of great idioms for sweating. I don't know why that is. But that's what we do. I feel like it's particularly our country; probably everywhere has a lot of idioms for sweating. He always said, "I'm sweating like a glassblower's asshole," which I always found an incredibly strange and yet vivid image.
I had worked so hard for so long that I developed a speech impediment. It happens when I get tired.
Having worked on climate crisis for almost 40 years now, I've seen good days and bad days. And through all of that time, the general trajectory has been it's getting worse, it's getting worse. But in the last ten to 20 years, there's a second development; the solutions are more and more, and more available. So having this broad overview that I've developed over a long period of time, I now see the evidence that the solutions are available. We're gonna do this.
I've thought for a long time that my body type would have worked well in the '70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
Most of the time for movies and stuff, with the exception of Jeff Nichols, who I've worked with a few times, you just don't know people too well. Everyone is cordial and nice and some people are very genuinely friendly, but once the movie is over you never see them again.
In my Gau, as far as I know, only Communists who had actually worked against the State were arrested.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
I hadn't been that impressed with someone since I worked with Meryl Streep.
My mother was the greatest example to me of anyone I've ever known. She didn't have an easy life. I adored her. She worked hard all her life, and she was the one who set my values. She was quite an amazing woman, although she wasn't tough at all.
All of the directors I've worked with I have loved and would work with again. I have no favorites.
The biggest temptation I believe is to feel comfortable, to feel like you've worked through all of that here on Earth, and are satisfied with this life.
I had friends who ran off to become ski instructors or worked in cool bars, and I often envied them, but I know I'd quickly become bored with that kind of life. I always need to push myself.
Jobs, as such, are a relatively new concept. People may have always worked, but until the advent of the corporation in the early Renaissance, most people just worked for themselves. They made shoes, plucked chickens, or created value in some way for other people, who then traded or paid for those goods and services.
I worked with such concentration and focus and I had hundreds of obscure engineering or programming things in my head. I was just real exceptional in that way
And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening. "
There are many people who have worked just because they love the community in which they are in, without expecting any financial consideration.
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that
People talk about Frank [Sinatra] all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
While I was serving, I worked as an adventure training officer, teaching soldiers how to ski, canoe and climb.
I worked in a bookstore in Oslo, importing the English-language books.