For many people - from secular feminists to observant Jews - the notion of a feminist Judaism is an oxymoron.
When critics or art historians or curators ask me why I still paint, the answer is that I am not naive.
When you feel concentrated within the intensity of making paintings, you know exactly what you are doing.
When I start to paint, it is real agony. I get nervous. The day before, I am already working up to it. Then I get to the studio and, once the image starts to emerge and come together, pleasure kicks in. And then you can see things that no other person can see.
Life is politics, basically, but you don't just go to a gallery and put the words 'art' and 'politics' on the wall.
Every painting has a weakness and a breaking point, where the essence of a painting lies. In my case it is never in the centre.
If you ask people to remember a painting and a photograph, their description of the photograph is far more accurate than that of the painting. Strangely enough, there is a physical element intertwined with the painting. It shakes loose an emotional element within the viewer.
Fortune does not change men, it unmasks them. —SUZANNE NECKER, WIFE OF JACQUES NECKER, MINISTER OF FINANCE
Alberta funds almost all its schools and districts to design and evaluate their own innovations. Teachers are the drivers of change, not the driven.
As much as I love heavy riffs, I like The Eagles, Neil Young, Elton John, Crowded House.
I don't understand how most pop stars live this life being told what to do, what to wear, all the time. Maybe money does mean more to some people.