A lot of what I do is about being in the moment and I think that's hard for people to get. I like it when things suddenly affect the painting. I mix up this red and it affects the whole painting or this little bit of white falls down there, and something changes the whole nature of the thing. The residue on what happens, that's what's in the paintings.
Embraces do not matter; they merely indicate the will to love and may as well be followed by defeat as victory. But disregard means that now there needs to be no straining of the eyes, no stretching forth of the hands, no pressing of the lips, because theirs is such a union that they are no longer aware of the division of their flesh.