Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
I saw my wife at a pool, flipped over her, and 14 days later we were married.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
I saw that my image was changing or fading. One of the reasons for taking a break from clubs was to be missed-not forgotten.
The critic leaves at curtain fall To find, in starting to review it, He scarcely saw the play at all For starting to review it.
If I ever saw him again,he was going to get a proper introduction to Tasey.
I never had an occasion to question color, therefore, I only saw myself as what I was. . . a human being.
I observed certain animalcules, within whole bodies I saw so quick a motion as to exceed belief; they were about the size of a large grain of sand, and their bodies being transparent, that the internal motion could plainly be seen. Among other things, I saw in the body of one of these animalcules a bright and round corpuscle, placed near the head, and in which a very wonderful swift motion was to be seen, consisting of an alternate extension and contraction. This particle I concluded to be the heart.
I found myself recycling ideas and I saw that I had to invent reasons to compose a piece rather than start from some exciting idea.
If you stepped out of the shower and saw a leprechaun standing at the base of your toilet, would you scream, or would you innately understand that he meant you no harm?
The Bible is a human product: it tells us how our religious ancestors saw things, not how God sees things
I grew up looking at. . . going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
Don't fully trust anyone until he has stuck with a good cause which he saw was losing.
I saw something I hadn't realized before: words wasted energy. I would use my strength instead to nurture my belief that my life would unfurl uniquely.
I just saw myself as a novelist.
I saw a dog in a cage. And that cage had a sign on it that said, 'I bite. ' And I was like, 'That is good to know doggy, but that's not the most important thing about you. You should make a sign that says, 'I make signs. ''
I gasped and pointed the way. I gave you an adventure, Ed, right in front of you but you never saw it until I showed you, and that's why we broke up.
I saw myself as an electronic joy rider.
I didn't go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
I've never seen a truly great fighter get knocked onto the ropes unconscious. . . knocked out cold before. . . and I saw Roy Jones get knocked out twice in a row.