I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.
Events need their invitation, dissolutions their start.
To write? Because all this is going to vanish. The only thing left will be the prose and poems, the books, what is written down. Man was very fortunate to have invented the book. Without it the past would completely vanish, and we would be left with nothing, we would be naked on earth.
There comes a time when you realize that everything is a dream, and only those things preserved in writing have any possibility of being real.
Love must wait; it must break one’s bones.
In the war time many of the publishing houses were privately owned, a single publisher or a publisher and a few associates who were responsible for everything. They could take whatever risks they wanted, could essentially publish what they liked according to their taste. Publishers today are working for big corporations. They have different pressures. I don't think they can make decisions quite as independently as they used to be able to. They have more corporate and financial responsibilities weighing on them. They're not free to go broke or go to jail.
Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
Sandeep Jauhar specializes in peeling back the veneer, revealing the discomfiting truths of today’s medical world. He is unafraid to dig deeply and honestly, both within himself and within the medical profession. Doctored raises critical questions that twenty-first-century medicine must answer if it is to meet the needs of its patients as well as of its practitioners.
I know sometimes, that all it takes to be invincible, is to know you are such.
The most momentous and far-reaching question ever brought to issue on this continent was: Shall France remain here, or shall she not?