Corporations, being only human, make mistakes. Sometimes you may end up working for one of those mistakes.
I did a film very quickly, and then a lot of work for television, and then I did stage work.
To be "here and now," in principle, is just for once. And then you have to repeat that.
I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
When you live in Mexico, your houses all have names.
I am thankful that my name in obnoxious to no pun.
Being a sick man is like being a log caught in a stream, Gilles. All the straws gather around it.
MCP, maximum controled pressure. No tomorrow, no waiting, nothing beyond the moment. We seek the perfect balance-total abandon on the drive, total control on the recovery.