We're all swimming in this digital revolution that we live in.
I've always been the only girl in those environments. It's comfortable for me - I prefer it, actually.
No, one of the great things about my three-year deal is that it's year-round. They've offered me an opportunity to cover a lot of things in the offseason, too.
When I found out I got this job, I cried, of course - I'm a girly-girl - and then I called my dad, and he cried, too. On so many levels, this is a thrill for me.
You just have to hope that they'll grant you an interview.
And that Michael Irvin would care more about his wardrobe than I would?
You mean the fact that Tom Arnold would spend more time with the hair and makeup people than I would?
I keep myself busy. Time goes faster that way.
I have this very moment finished reading a novel called The Vicar of Wakefield [by Oliver Goldsmith]. . . . It appears to me, to be impossible any person could read this book through with a dry eye and yet, I don't much like it. . . . There is but very little story, the plot is thin, the incidents very rare, the sentiments uncommon, the vicar is contented, humble, pious, virtuous--but upon the whole the book has not at all satisfied my expectations.
Music is the voice of all humanity, of whatever time or place. In its presence, we are one.
It's fun to be able to revisit a song and do something that doesn't really illustrate the song but works tangentially or runs parallel to the song in some way.