Everyone faces challenges from the fierce competition as well as the manipulative crooks that are rampant throughout the music business.
I'm really glad Westerns have had a revival. Hopefully our little resurgence will last a while.
The problem with American cinema is that because you're making films with huge amounts of money you need to hit the lowest common denominator in order to make it back and so therefore you're not allowed to play with moral ambiguities or ask questions.
I find most American films annoy me because their third act tends to be tying up loose ends and returning to moral values and killing the monster. I think most of the scripts I read to tend to go in that direction and I find that very, very unsatisfying. I want the stories to have loose ends and to pose some questions - or even say things that aren't too comfortable.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
People start realising that I'm a responsible filmmaker and I'm not going to run away with the budget or do anything stupid. I think it probably depends on the subject matter and it depends on who's producing and all those things. My hope is that I'll be allowed to carry on making films.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.
You don't have to see the whole staircase, just take the first step.
Don't cry when the sun is gone, because the tears won't let you see the stars.
The chief difference between good writing and better writing may be measured by the number of imperceptible hesitations the reader experiences as he goes along.
I persist in preferring philosophers to rabbis priests imams ayatollahs and mullahs. Rather than trust their theological hocus-pocus I prefer to draw on alternatives to the dominant philosophical historiography: the laughers materialists radicals cynics hedonists atheists sensualists voluptuaries. They know that there is only one world and that promotion of an afterlife deprives us of the enjoyment and benefit of the only one there is. A genuinely deadly sin.