The greatest inspiration I draw upon is, is this city (New York) and riding the subway and watching … - Amy Ryan

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Tessa, surprising herself, let out a gasp of laughter. Will looked at her, his mouth just beginning to quirk up in a grin. "I must be more amusing than I thought. Which would make me very amusing indeed.

Amy Ryan

The greatest inspiration I draw upon is, is this city (New York) and riding the subway and watching people and I find that's kind of like the best, the best acting teacher. You know, I wonder, like people who have huge celebrity, sometimes I feel bad, should this be one of their methods 'cause I don't know how they can observe life anymore, because they become the observed. So, I, I appreciate that New York can still do that.

Cause, Inspiration, New York, People, Teacher, Watching

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It's deeply personal to watch actors go to those dark places. It can be scary, so you channel them all your love and energy, and you know you'll be safe on the other side.

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I love Morocco - it's a real challenge to all five senses. You think you know something, and you don't. It's wonderful. It keeps you on your toes that way.

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You try to follow suit and the directors I work with, like Sidney Lumet (on film in Before The Devil Knows You're Dead and TV in 100 Centre Street) who thinks actors hung the moon, thinks they can do anything, but he also works really quickly, the same like Clint Eastwood, and so you better also do your homework, you know?

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You know, there are a lot of directors, like Clint Eastwood (on Changeling) is one where he casts you and you know in many ways that's enough for him and so, you go, ok, well, he saw something. Ok, what is it that he saw? What is it that I brought to this and why am I right for this and not trying to double-guess it and get in your own way and get psyched out, 'cause he trusts so much.

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I enjoyed learning something and, uh, so I think like with anything in life, in the schoolroom in an artistic endeavor, if you have just a really good teacher, it's inspiring. I certainly use, in my work, I mean, I used to rely heavily on imagery. I was obsessed with this photograph that was in the NY Times of a fish engulfing a smaller fish and this smaller fish had this look in its eyes; it knew what was about to happen and, I don't know how they ever captured such an image, but I've used that for a play I (did). It's called "Saved. "

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