I was born in a small clapboard house on an island, but I also have certain privileges that I didn't have when I was on the island. So that dichotomy again is actually really crucial.
I am a maker of useful things.
The pleasure of making things beautiful or useful involves your feelings as well as your thinking. When your original sketch evolves into a tangible, three-dimensional object, your heart is anxiously following the process of your work. And the love involved in making it is conveyed to those for whom you made it.
The playful search for beauty.
To be different is a negative motive, and no creative thought or created thing grows out of a negative impulse. A negative impulse is always frustrating. And to be different means ‘not like this’ and ‘not like that. ’ And the ‘not like’—that’s why postmodernism, with the prefix of ‘post,’ couldn’t work. No negative impulse can work, can produce any happy creation. Only a positive one.
I don't call myself an 'industrial designer,' because I'm other things. Industrial designers want to make novel things. Novelty is a concept of commerce, not an aesthetic concept.
When I met my designs in the market of a remote village in the West Indies, or in the airport restaurant in Zurich, I felt like the mother of many well-behaved children.
I have such an intense pride of sex that the triumphs of women in art, literature, oratory, science, or song rouse my enthusiasm as nothing else can.
'Tis the year's midnight, and it is the day's.
When someone you love is hurting, if it was possible, you'd want to take their pain for them. But do I really want cramps and sore boobs?
Growing up crowds your mind with new thoughts and new feelings so that you forget how you used to think and feel.