Welcome to Glasgow - the city where we punch people who are on fire.
Jeez banana! Shut your freaking gob!
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
If being an attractive woman got you attention for directing, then the entire 'best director' category would be comprised of models. To me, that is just the most ludicrous connection that you could make.
I've been watching 'American Idol' since its debut season in 2002. Back then, America hadn't yet evolved into a gladiatorial cybernation of bloggers, tweeters, and self-ordained voice coaches.
I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird. . . Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
If there are older black people in the audience that I can see I will not say the n-word. I know they grew up with a different meaning.
The times are chaotic. For me, I would hope that people look at [Angel] and gain strength by it. With everything that I do, I hope that they see people struggling to live decent, moral lives in a completely chaotic world. They see how hard it is, how often they fail, and how they get up and keep trying. That, to me, is the most important message I'm ever going to tell.
I was a power dunker. I want to go straight up, put it down on somebody. I want everybody under there.
When words lose their meaning, people lose their liberty.