Each time I'm in a film, Givenchy dresses me.
The joy of all mysteries is the certainty which comes from their contemplation, that there are many doors yet for the soul to open on her upward and inward way.
I have known some quite good people who were unhappy, but never an interested person who was unhappy.
Congenial labor is the secret of happiness.
Congenial labor is essence of happiness.
The moment that any life, however good, stifles you, you may be sure it isn't your real life.
One's mind has a way of making itself up in the background, and it suddenly becomes clear what one means to do.
He who never leaves his country is full of prejudices.
Capital, and the question of who owns it and therefore reaps the benefit of its productiveness, is an extremely important issue that is complementary to the issue of full employment. . . I see these as twin pillars of our economy: Full employment of our labor resources and widespread ownership of our capital resources. Such twin pillars would go a long way in providing a firm underlying support for future economic growth that would be equitably shared.
But he cannot see a connection between the end of yearning and the end of poetry. Is that what growing up amounts to: growing out of yearning, of passion, of all intensities of the soul?
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.