Аs I've mentioned many times, sitting through graduation ceremonies is one of life's drearier milestones.
I'm kind of inspired by just all different kinds of music.
Maybe it's just me being lazy but I just don't like describing my music or style or anything, I just like letting people interpret it.
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
I guess it's interesting trying to feel someone's vibe on a track that you've never met before.
David Bowie is kind of the pioneer of glam rock. Not just for music, but just his overall, how he incorporates fashion and other arts into music. And he does a really amazing job about being fearless and that kind of stuff.
I don't really know much about the fashion world. I have a few stylist friends that help me find stuff. So they know all about the vintage fashion world; I just kind of describe to them what I want and they find a lot of it for me.
Sara could commit adultery at one end and weep for her sins at the other, and enjoy both operations at once.
Margo's beauty was a kind of sealed vessel of perfection--uncracked and uncrackable.
My soul is always lifted up, and my spirit cheered and comforted, when I hear good music. I rejoice in it very much indeed.
If you'd like to meet some fully realized characters while learning some specifics of Zimbabwe's postcolonial struggles, as I did, you're likely to come away with a vague feeling of dissatisfaction. If you're willing to settle for first-rate writing and provocative meditations on memory, corruption and loss, they are all here in abundance.