I would love to work with Tim Burton. I think we would be very good together.
There was a loud cough from the man on the stand. I replaced My Magic Mirror carefully on his tray, gave him a cheesy smile, and went my way.
Jabor finally appeared at the top of the stairs, sparks of flame radiating from his body and igniting the fabric of the house around him. He caught sight of the boy, reached out his hand and stepped forward. And banged his head nicely on the low-slung attic door.
We communicated with pithy, rather monosyllabic thoughts: viz. Run, Jump, Where? Left, Up, Duck, ect. (This latter was an observation I made on the edge of a lake. Nathaniel unfortunately took it as a command, which resulted in our temporary immersion. ) We didn't ever quite say Ug, but it was a close-run thing.
I rather think he knew anyway.
Despite his crimped shirts and flowing mane (or perhaps because of them) I had seen no evidence as yet that Nathaniel even knew what a girl was. If he'd ever met one, chances are they'd both have run screaming in opposite directions.
In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through. " I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry. " "Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes. " "What, fell upon them in a squashed-them kind of way?" "More the leaped-out-and-slew-them kind. (. . . )
Theodore Roosevelt crafted a masterpiece of service. He served people in every aspect of his life. His legacy was transformational, encompassing his family, his nation and the world.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.
The literature of women's lives is a tradition of escapees, women who have lived to tell the tale.
He is only fantastical that is not in fashion.