Every year you wait, long ago gets farther away.
You need massive recruitment to tell the poorest of the poor what is possible.
I emphasize teachers because they are largely left out of the debate. None of the bombastic reports that come from Washington and think tanks telling us what needs to be 'fixed' - I hate such a mechanistic word, as if our schools were automobile engines - ever asks the opinions of teachers.
I always want to tell these young idealists that the world is not as dangerous as many in the older generation want them to believe. . . The [people] for whom I feel the greatest sadness are the ones who choke on their beliefs, who never act on their ideals, who never know the state of struggle in a decent cause, and never know the thrill of even partial victories.
I have been criticized throughout the course of my career for placing too much faith in the reliability of children's narratives; but I have almost always found that children are a great deal more reliable in telling us what actually goes on in public school than many of the adult experts who develop policies that shape their destinies.
Good teachers don't approach a child of this age with overzealousness or with destructive conscientiousness. They're not drill-masters in the military or floor managers in a production system. They are specialists in opening small packages. They give the string a tug but do it carefully. They don't yet know what's in the box. They don't know if it's breakable.
Separate and unequal didn't work 100 years ago. It will not work today.
If you're a beast in the pulpit but a coward in your neighborhood, something has gone wrong.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
There is a graveyard in my poor heart - dark, heaped-up graves, from which no flowers spring.
Walt Disney has never addressed himself to children once in his life - never. The material of his cartoons is made to reach an adult audience. This is the whole trouble. Everything is made to reach everyone, and in order to reach everyone, he must introduce the Hollywood touch. Every illustration of a girl in Disney's books looks like the Hollywood queen and every picture of the hero looks like a badly drawn Cary Grant. Obvious symbols of an adult world.