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Jane: Mr. Rochester, if ever I did a good deed in my life-if ever I thought a good thought-if ever I prayed a sincere and blameless prayer-if ever I wished a righteous wish-I am rewarded now. To be your wife is, for me, to be as happy as I can be on earth. Mr. Rochester: Because you delight in sacrifice. Jane: Sacrifice! What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value-to press my lips to what I love-to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice.

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Ira Sachs

For me, an actor is really, first and foremost, a person and an individual, more than they are an actor or a professional.

Actor, Foremost, Individual, Person, Professional
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I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.

Class, Drama, Facing, Struggle, Struggles, Thinking

I'm someone who can create critiques of individuals based on their economic history. That's one way I look at people in terms of one story that could be told purely in a Marxist construction.

Economic History, History, Looks, People, Story, Told

I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films. ' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.

Happen, New York, People, Thinking, Time

When working on and writing a film, I'm often more of a sponge than other times, aware of what's going on around me.

Film, Sponges, Times, Working, Writing

To come to change, there had to be conflict and pain.

Change, Come, Conflict, Pain
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