The will to grow is, in essence, the same phenomenon as love. Genuinely loving people are, by definition, growing people.
A movie is really provocation. It's not a message, it's not a statement.
I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
I look at American movies, the big muscles, and try to apply that to Chinese film-making.
So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.
I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.
The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.
My mother, she killed me, My father, he ate me, My sister Marlene, Gathered all my bones, Tied them in a silken scarf, Laid them beneath the juniper tree, Tweet, tweet, what a beautiful bird am I.
Falsehood is the jockey of misfortune.
I'm inspired by challenges. My life was always like this.
He's the game all right.