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[Alessandro Michele] is finally made clothing for men that is as fun to wear as the clothes that women get to wear. That's not often the case. There's a sense of joy and celebration in it.

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Toyin Odutola

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.

Artist, Automatically, Hate, People, Saying, Women
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I kept wanting to push my image as validity; I wanted to see my portrait on a wall and know it was okay.

Okay, Portraits, See, Validity, Wall

Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness, and your black presence.

Artist, Black, Blackness, People, Talk

Where some may see flat, static narratives, I see a spectrum of tonal gradations and realities. What I am creating is literally black portraiture with ballpoint pen ink. I'm looking for that in-between state in an individual where the overarching definition is lost. Skin as geography is the terrain I expand by emphasizing the specificity of blackness, where an individual’s subjectivity, various realities and experiences can be drawn onto the diverse topography of the epidermis. From there, the possibilities of portraying a fully-fledged person are endless.

Black, Creating, Narratives, Reality, Static

It is hard to produce work in New York. You kind of have to center yourself - do some Zen meditation exercises and just focus. It is very distracting, and money, of course, is an issue.

Course, Exercise, Focus, Kind, Meditation, Money

The graphic style itself is influenced by a lot of very layered and detailed comics that I read as a kid, like Vagabond by Takehiko Inoue.

Kid, Kids, Read, Style, Vagabonds
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