I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
I still have nightmares about holding German sausages over my head.
Players will be able to adjust the volume from 1 to 100 in increments of 1. You could play the game 100 times and have an entirely different experience.
Freedom is. . . freedom can actually be boring, you've got to realize that.
I know Microsoft, I know they were only doing things because they thought they were long-reaching and long-thinking. But the world we live in now is that we have to realise, especially if you're a big corporation, if you make one step wrong, the world will leap on you, and unfairly, very unfairly, they will judge you.
Some people leave artwork, some people do rude things, other people then turn those rude things into nice things.
I think what i've also learned, is that doing Kickstarter and Steam Early Access before you've got something which is defined and playable is a hugely risky undertaking that can be very destructive to the final quality of the game.
If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.
Don't burden art with words and ideas. Art comes from a deeper place.
A glorious Church is like a magnificent feast; there is all the variety that may be, but every one chooses out a dish or two that he likes, and lets the rest alone: how glorious soever the Church is, every one chooses out of it his own religion, by which he governs himself, and lets the rest alone.