In real life I'm bone dry and when I play I'm a mango and in sex I'm starving to be a dripping mango
Obviously I always wanted to do a contemporary piece.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
I think it's sort of a rite of passage for a British actor to try and get the American accent and have a good crack at doing that.
I have played a boxer, a cowboy, a knight, a prince, an elf and a pirate. I am so glad to have done all of that already.
Yeah, I mean the material, directors, the other cast, and if you think you can do something with the character then you do it and go from there. I am looking forward to doing some smaller movies.
I'm probably a good boyfriend, but I'm pretty intense. When you're with me it's exciting, fun and very intense. At the same time, I'm easy going. But all that depends on what girl I'm with.
The everyday cares and duties, which men call drudgery, are the weights and counterpoises of the clock of time, giving its pendulum a true vibration and its hands a regular motion; and when they cease to hang upon its wheels, the pendulum no longer swings, the hands no longer move the clock stands still.
It is the fragrant lack of practicality that makes high-heeled shoes so fascinating: in terms of static mechanics they induce a sort of insecurity which some find titillating.
It is as hard to find a neutral critic as it is a neutral country in time of war. I suppose if a critic were neutral, he wouldn't trouble to write anything.
In Burma, we have only about four percent of the people in our country who are (college) graduates. So can we not value the majority? No, we must. If we just value the graduates, then does that mean our people are not valuable? I don't believe that. What is important is we need right people in right positions.