We have all the technology to record things in the streets. Now the historians cannot twist it or change it, because we have cellular phones or video cameras, and we are filming in the streets what's going on. We have the voices of everybody recorded. There's too much recording and I think that's wonderful.
The paintings live because their creator has been passionately attentive to their theme, and his attention has left something for us to look at. It seems a sort of miracle.