He had her in his heart, but not always in his mind.
A lot of people go to the movies wanting the movie to be about feelings, and it's really not about that. Or rather it's about feelings in the abstract.
The brief flashbacks are sun-kissed, summery and optimistic. It's the only place in the movie you will see red, yellow, orange, or any vibrant colors.
Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
Maybe I'll paint, do photography, just something else. I can see that.
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.
As social beings we live with our eyes upon our reflection, but have no assurance of the tranquillity of the waters in which we see it.
The existence of the Bible is the greatest blessing which humanity ever experienced.
You can't really compare people. That's one of the biggest lessons I've learned, because comparing yourself to someone else really stops you from being who you are.
If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.