I can be horrifically single-minded.
If you pour some music on whatever's wrong, it'll sure help out.
If it doesn't come from your heart, music just doesn't work.
Songs don't wear out. Good songs are good now. If they were a comfort during those hard times in the past, they'll be a comfort in today's age.
New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first time and you get your ass kicked and you take off. As soon as it heals up, you come back and you try it again. Eventually, you fall right in love with it.
The power of music just kinda kills all those ills; it cures everything and you’ve got more energy just from the music. And, I’ve never seen it fail. It’s good for ya; real good for ya.
Those bad times are important. They give you a chance to practice, listen, take stock, have a life, get your feet back on the ground, and maybe you'll live to tell the story.
The Leftovers was an absolutely extraordinary experience. After the first season of learning to work with Damon Lindelof and Tom Perrotta, and all of the writers, you didn't question it because it all made sense. Because Damon knows those characters so well and has thought it through so well, there was never a time that I asked a question where it wasn't answered fully.
The single Rose Is now the Garden Where all loves end
The best thing you can do with actors is collaborate with them. My job is to inspire them to give their best. And they're only inspired if they feel they are part of the creative process, otherwise they'll shut down. So my goal is always to ask people what they would like to do before I even say my opinion. I usually don't know anything until I see it. I'm a fetish filmmaker - I make films based on what I want to see.
Each time I did assignments or editorials, I realized that I wanted to do something more. I saw that it wasn't just about the clothes.