I don't teach my students, I provide the circumstances in which they can learn.
I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate.
Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward.
It's really sad that Wonder Woman is, she's really a slave. She belongs to DC. She's not a living person. And so she's at their mercy, and she's at the mercy of whoever writes her and whoever draws her.
I went to art school, but I didn't last because in those days you couldn't take comics as a course. And they weren't even teaching you to draw real things, they were really into abstracts, and I was not into abstracts, so art school and I did not work out.
I entered high school she[ my mother] said, "Well, you're a teenager now, and comics are for kids, so you shouldn't read them anymore," and I went, "Oh, okay," and I gave away what, of course, would now be thousands of dollars worth of comics to the neighborhood kids.
I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And. . . it had comics in it! And they weren't superhero comics.
But he doesn't love her. I invented that. It is a plot if you imagine people in love--the lazy looping criss crosses of love, blows, stares, tears. No. It doesn't happen. No love. People meet, touch, stare into one another's faces, shake their heads clear, move on, forget. It doesn't happen.
Every foreign policy of every major nation involves reason, common sense, carrots and sticks. You can't have all carrots and no sticks.
Apple isn't the next Microsoft, you see. Apple is not the next anything because the role it aspires to transcends anything imaginable by Microsoft, ever. Google is the next Microsoft, so Google is seen by Ballmer as the immediate threat - the one he has a hope in hell of actually doing something about.
Certainty. . . lurks at the door of faith and threatens to devour it.