People have compact to go beyond our own culture and upbringing to a degree that I think we don't acknowledge enough really.
It's a sad man my friend who's livin' in his own skin and can't stand the company.
It's not the time in your life, it's the life in your time.
We struggled together and sometimes with one another. We took care of one another. In the end, we kept faith in each other.
Those wounds stay with you, and you turn them into a language and a purpose.
The future is now. Roll up your sleeves and let your passion flow. The country we carry in our hearts is waiting.
For one kiss, darling, I swear everything I would give. Cause you're a walking, talking reason to live.
I have a very basic notion of the structure the book might have - that's mostly it. The rest is luck and happenstance.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
The rich get richer and the poor get - children.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.