. . . too much sadness hath congealed your blood,And melancholy is the nurse of frenzy.
I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.
The first time I went to Daniel's [Radcliffe] apartment to just hang out before, because we're doing this crazy thing together, right away he said, "Do you want to put your hand in my mouth so we can get used to this?" And he was really ready to go. So we broke down any barriers pretty quick.
The less acting you have to do, the better, I think.
I love cereal. I eat several bowls a day, mostly a few late at night.
If I could get myself in an editing room, that'd be trouble. I mean, that's how it works, you know? You leave everything on the field. I would pick apart - I do, even on the first time. More than once is just too much self-destruction. I don't need that.
You try to get to know your character as best as you can before you start filming - whats written and not written.
Sadness is just a place on the map. Don't try to avoid it, resist it or escape through substances. Settle it, allow it, and it will go.
There is space for a different kind of investigative reporting that's about immersion and obsessive attention to detail and deep listening.
If you won't leave me, I'll find someone who will.
My mother-in-law was with me during all four of my births and when she was sitting next to me holding my hand during the cesareans, well, I craved that.