It can't be any simpler: the farewell is going to be on the Champs-Elysees.
Always tell the truth - it's the easiest thing to remember.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?
When the three branches of government have failed to represent the citizenry and the mass of the media has failed to represent the citizenry, then the citizenry better represent the citizenry.
One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery. '
Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
It's just a deep pleasure to read something you've written yourself - if and when you like it.
I would like Americans to make things with their hands. Thomas Jefferson and I feel that makes for a much stronger nation.
Defeat only happens when you make the decision to stop trying. Because determination works. Steady forward motion, even if it's just a step per week, gets you there. So keep moving, even if it's only a little some weeks.
In any organization there ought to be the possibility of discussion. . . fence sitting is an art, and it's difficult, and it's important to do, rather than to go headlong in one direction or the other. It's just better to have action, isn't it than to sit on the fence? Not if you're not sure which way to go, it isn't.