Paint what you see, not what you know.
When I was ten, I saw 'Grease' on stage and thought: 'I want to be part of that; it looks like so much fun. ' My mum enrolled me in a local theatre group, and it all went from there.
I just believe that sometimes in life you're like a shark - you have to keep moving through water; otherwise, you'll die.
Working on new projects gives you the opportunity to learn and absorb new things.
Doing the same thing day in, day out. It's just so boring. I like to jump from different things.
I think it's so important as an actor that you hang on to your own inner compass, because so many people want to guide you - 'This is what you should you be doing'. But I want to do different things.
For me, once I've worked on something and it's finished, it's like an ex-boyfriend: you don't go back to them.
Anything can happen, but it usually doesn't.
Every man's memory is his private literature.
Most of the crackpot papers which are submitted to The Physical Review are rejected, not because it is impossible to understand them, but because it is possible. Those which are impossible to understand are usually published. When the great innovation appears, it will almost certainly be in a muddled, incomplete and confusing form. To the discoverer himself it will be only half-understood; to everybody else it will be a mystery. For any speculation which does not at first glance look crazy, there is no hope.
I've always had difficulties with female characters.