One of the basic needs of every human being is the need to be loved, to have our wishes and feelings taken seriously, to be validated as people who matter.
There are always roles that seem enticing that you can't do because of scheduling.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters
I know I'm guilty of and I think a lot of people are guilty of sort of getting starry-eyed with love and sort of looking over the bad things and keep going and you don't really prepare for how much work marriage really is.
I'm a huge classics fan. I love Ernest Hemingway and J. D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.
It's a big thing to feel like you're doing something that's actually affecting people.
Most of the people I know who work out seriously do so because they have such an amazing outlook on life. To be who I want to be, I'm going to work out to be more positive, more active. It's proactive.
Gather up your fighting spirit or the disease will deafeat you!
Incidentally, I don't think there is a non-adjectival 'globalisation'. What we have now is a particular form: dominated by finance and multinational corporations and by a rhetoric (though not a reality) of 'free trade' and market forces. So I'm not a localist. I'm an internationalist, but one who believes (a) that such a thing is really only possible through a prior grounding and (b) that the terms of our present globalisation have to be challenged politically.
Creative work is incredibly difficult, and that is where the tests lie.
There is no power greater than true affection.