In high school, I always dressed to impress the girls.
There can be no censorship better than one's own conscience.
The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
I didn't like university life much at Bologna. The subjects I studied - economics and business administration - didn't interest me. I wanted to make films. I was glad when I was graduated. Yet it's odd; on graduation day, I was overcome with a terrible sadness. I realized that my youth was over and now the struggle had begun.
The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created; certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Nothing regarding man is ever inhuman. That's why I make films, not iceboxes.
When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
You know what Andy Warhol's sole contribution to this country has been? He made Campbell's Soup a household word.
Probably no branch of mathematics has experienced a more surprising growth than has. . . topology. . . Considered as a most specialized and abstract subject in the early 1920's, it is today [1938] an indispensable equipment for the investigation of modern mathematical theories.
If loneliness is the disease, the story is the cure.
One cannot run from a challenge without losing. To flee is signing a death warrant to dignity and character, and, having run, there is no return; one is a weakling forever. Meeting a challenge, though one may be defeated, gives strength, character, and a certain assurance that regardless of outcome, one will survive or go down fighting.