I was very young, maybe five. The opera was very. . . I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music. . . that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
I think we must cling to the hope that we can see in the great heroism, the bravery of the firemen and policemen, and the outpouring of caring and concern that has come pouring in from around the world.