Fund consultants like to require style boxes such as "long-short," "macro," "international equities. " At Berkshire our only style box is "smart. "
But I don't think that poetry is a good, to use a contemporary word, venue, for current events.
I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
Innocence is suffering and the loss of that innocence is something to fear.
I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.
What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by. . . creating units of intent and emphasis, and by contouring the meloding pitch changes in the narrative-line.
My poems are almost all written as Diane. I don't have any problems with that, and if other women choose to identify with this, I think that's terrific.
I have never been able to understand the complaint that a story is "depressing" because of its subject matter. What depresses me are stories that don't seem to know these things go on, or hide them in resolute chipperness; "witty stories," in which every problem is the occasion for a joke; "upbeat" stories that flog you with transcendence. Please. We're grown ups now.
Having an aura of menace is like having a pet weasel, because you rarely meet someone who has one, and when you do, it makes you want to hide under the coffee table.
I couldn't imagine someone playing me or writing a book about who I am. Although I let people write articles and try and express who I am, and it blows up wildly in my face.
Surely it's better to love others, however messy and imperfect the involvement, than to allow one's capacity for love to harden.