Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists
To be more creative is to get closer to childhood.
Very often I say to myself: I would like to make a photo where nothing happens. But in order to eliminate, there has to be something to begin with. For nothing to happen, something has to happen first.
I believe that the essence of photography is black and white. Color is but a deviance.
[Photography] is always like a state of grace, like the appearance of something that I hadn't foreseen, that surprises me and stops me. If I only did what I had in mind, there would be no emotion. It would be like keeping one's eyes shut rather than open, like theorizing rather than seeing.
Why should there be only one sort of photography? I want to create images with elements of my choosing, narrative or evocative. . . I give myself a literary frame, I tell a story.
I create situations that do not exist. I seek the truth from fiction.
I'm one of those people that thinks things happen for a reason, and you just have to look for the reason.
. . . don't be afraid to screw up !. . . one of the key issues to learning is making mistakes. . . if you're not making mistakes, you're probably not having a very good time
Calling gender violence a women's issue is part of the problem. It gives a lot of men an excuse not to pay attention.
Knowledge must come through action.