Music is decisions, and I decide for me what are brilliant decisions.
The truths that seem most truthful, if you look at them from all sides, if you look at them close up, turn out to be either half truths or lies.
Men do not live by truth alone; they also need lies: those that they invent freely, not those that are imposed on them; those that appear as they are, not smuggled in beneath the clothes of history. Fiction enriches their existence, completes them and, fleetingly, compensates them for this tragic condition which is our lot: always to desire and dream more than we can actually achieve.
I have been always fascinated and seduced by history, which I think is very close, very close to literature.
I have a chest full of all the insults, villainies, and infamies a man is capable of withstanding. . . . If you become famous, you will have to go through that.
In general, I think my freedom of invention is not limited when I use historical characters.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
A real groupie is someone who loves the music and wants to do it with the guys who make it and someone who goes after what they want, so a groupie is a feminist thing. A woman who goes after what she wants is a feminist. So I've never been anything but a feminist. I took the birth control pill on the Strip in front of everybody and that was my statement. I control my body, I can do whatever the heck I want.
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this. " Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know. "
Bebop has set music back twenty years.
When you're 16, you think 28 is so old! And then you get to 28 and it's fabulous. You think, then, what about 42? Ugh! And then 42 is great. As you reach each age, you gain the understanding you need to deal with it and enjoy it.