Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.
I never learned how to tune a harp, or play upon a lute; but I know how to raise a small and obscure city to glory and greatness. . . whereto all kindreds of the earth will pilgrim.