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What was a lie in the father becomes a conviction in the son.

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Stephen Mallinder

We were working in entertainment, in the music industry, with popular music, it was important, but it was something that we also felt was a responsibility.

Entertainment, Important, Popular, Responsibility, Working
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You don't have to be trained in music to create sounds and to produce and release music. That's what we were saying back in 73-74. And that's the way the world is now - and all the tools of creation, production and dissemination are there in everybody's bedrooms, front rooms and studios.

Sound, Studios, Tools, Way, World

Crackdown had Dave Ball playing on it. Flood worked on our next album, and Adrian Sherwood worked with us on Code.

Albums, Balls, Code, Crackdown, Next, Playing

We were fortunate at that time we were working with Virgin, and with Flood, probably more well-known as Brian Eno's engineer now and U2's producer, etc. Even though we weren't working in a strictly popular music area, which was great, we were lucky enough to work with people who were on the cusp of those sort of things.

Brian, Engineer, Etc, Lucky, People

We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.

Couple, Years, Mtv

As sonic journalists, we were increasingly becoming bombarded with global images. It was the early idea of the cut-up, the idea of images being juxtapositioned, which we were doing with sound. That was the early days of samples.

Cutting, Ideas, Images, Journalists, Sonic, Sound
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